Panasonic Lumix DMC-GX1 Review



Review based on a production DMC-GX1 with firmware version 1.1
Panasonic's Lumix DMC-GX1 is the organization's newest addition to its G-series option. And although the picture digital photographic camera preserves the '1' appendage in its design name, it is obvious from even a fast glimpse that with the GX1, Panasonic has offered the long-awaited religious heir to the well known Lumix DMC-GF1. Of perhaps even higher importance, the move to current a individual GX products (as in evaluation to launching the picture digital photographic camera as a 'GF4') would seem to recommend a long-term dedication by the picture digital photographic camera manufacturer to fulfill up with the requirements of lovers who accepted the GF1.

Launched coming back last period, the GF1 was, incredibly, Panasonic's try to evaluate compact-camera entrepreneurs looking to update, with what was then charged as, 'the global tiniest, least significant similar relationships camera'. Instead, the GF1's top awesome Raw result and traditional range finder noticeable obtained a impressive and enthusiastic following in the partner industry. DSLR entrepreneurs looking for a second 'go-anywhere' picture digital photographic camera with fantastic picture awesome accepted the electrical powered digital camera's extensive exterior manages and its relatively lightweight Little Four Thirds relationships unique deals.

It is absolutely these customers who have been dissatisfied twice over with the Lumix DMC-GF2 and Lumix DMC-GF3 produces. These camcorders staying from the GF1's traditional design and button-driven function. Instead, they suggested ever-smaller type aspects, and design recommendations that indicated unambiguously to customers who may be modified off by an far too complicated (and expensive) picture digital photographic camera, such as improving dependency on touchscreen display display show display manages. With the GX1 Panasonic is looking for instantly at more contemporary customers for whom the GF1 hit a eye-catching stability between sizing and operability.

Of course, the competitors for these customers is increasing much more highly effective these days, and Panasonic decides that if it wants to be successful the electrical powered digital camera's interest, the GX1 must provide benefits not only to the GF sequence but to a flourishing industry that contains impressive APS-C indication competitors from both Panasonic and New new new samsung. To this end, the GX1 uses the same 16MP indication we first saw in the Lumix DMC-G3, although with picture handling improvements that allow for a top ISO of 12,800.

A product new viewfinder, the DMW-LVF2 has been offered together with the GX1. With an enhanced magnifier and fantastic, the LVF2 is a recognizable enhancement over its forerunner, the LVF1. Most of all though, a new requirements and hook up makes the LVF2 mismatched with any GF models; neither is it possible to fit the LVF1 on the GX1. Quicker relationships between the picture digital photographic camera and relationships allows the GX1 concentrate even faster than the 120Hz indication readout permitted in past times G3 and GF3 designs, with Panasonic stating a 10% enhancement.

Panasonic's well-regarded touchscreen display display show display interface has also gotten some new techniques, with a level evaluate and awesome Contact Tab symbol that allows you to secure up, current (and of course activate) a little board of option alternatives instantly on-screen. Another very welcome function is the addition of an path indication that instantly goes instantly pictures even when taken with non-OIS relationships.

The GX1 is being designed available in both black and gold techniques. In contrast to past GF designs, none of the GX1's kit alternatives has a set main duration relationships. Instead, the kit relationships alternatives are restricted to just two; the Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH Energy OIS contact and the more traditional (and less expensive) Lumix G Vario 14-42mm F3.5-5.6 ASPH OIS relationships.

By developing a individual products for the GX, Panasonic has described modifications in its G-series unique deals. The GF wide range is placed as availability way for compact-camera upgraders. The GH2 is designed for customers who capture a lot of film and the G3 is targeted for (primarily) still digital camcorders lovers who wish a built-in EVF and articulated LCD. The GX1 then is rather successfully placed as an partner providing for those who want the greatest picture awesome from a Little Four Thirds picture digital photographic camera, in a type factor that absolutely provides a wide range of zoom capability ability capability relationships and does not be affordable on exterior manages.

Panasonic GX1 specification highlights

  • 16MP Micro Four Thirds sensor
  • ISO 160-12,800
  • Orientation sensor (providing information with non-OIS lenses)
  • 3.0", 460k dot LCD
  • Full AVCHD 1080/60i video (from 30fps sensor output)
  • Continuous shooting up to 20fps (at reduced resolution)
  • Electronic level gauge
  • Four available Fn buttons (two onscreen)

Differences between the GX1 and the GF1

  • Higher resolution sensor (16MP vs 12MP)
  • Touchscreen interface
  • Much-improved screen coatings for better visibility in bright light
  • Faster AF acquisition times
  • Top ISO of 12,800 (vs 3200)
  • Continuous full resolution shooting at 4fps (vs 3fps)
  • Higher burst depth in Raw mode (11 vs 5)
  • AVCHD 1080/60i video (vs 720p AVCHD Lite format)
  • Built-in stereo microphones
  • Electronic level gauge
  • Two additional Fn buttons
  • No drive mode lever

Compared to the Samsung NX200

The Panasonic DMC-GX1 is taller than the Samsung NX200, which actually houses a larger APS-C sensor. The GX1's mode dial sits atop the camera plate as opposed to the recessed profile found on the NX200.
From this top view you can see that the GX1 packs more control points along the camera's top plate, which maintains a traditional rangefinder-inspired shape compared to the more aggressively contoured design of the NX200.
What's not evident in the images above is just how much more heft the GX1 has in comparison to the NX200. With a solid metal body construction that weighs in at nearly 320g without a lens, the GX1 feels in hand rather substantial, in a way that calls to mind not only the GF1, but classic film camera bodies.

Compared to the Sony NEX-7

The GX1 appears almost svelte in comparison to Sony's NEX-7, with significantly less bulk in the handgrip.
One of the more obvious distinctions here is the built-in EVF on the Sony NEX-7, whose forward-thinking design only reinforces the more traditional classic-camera aesthetic of the GX1.
Although the GX1 has slightly smaller dimensions in both width and depth, it's worth remembering that that Sony has managed to pack a built-in EVF, articulating LCD and of course an APS-C sensor into the NEX-7. The GX1's more conventional control point layout stands in sharp contrast to the sleek, hewn-from-a block-of-granite design of the NEX-7. Both cameras offer a sure, firm grip, although users with larger hands may find one-handed shooting slightly less comfortable with the lower profile handgrip of the GX1.

Source:www.dpreview.com

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